{"id":2726,"date":"2025-06-23T21:45:50","date_gmt":"2025-06-23T21:45:50","guid":{"rendered":"https:\/\/nicheblog.top\/worldpostone\/2025\/06\/23\/listen-to-hamdis-filthy-new-ep-abomination\/"},"modified":"2025-06-23T21:45:50","modified_gmt":"2025-06-23T21:45:50","slug":"listen-to-hamdis-filthy-new-ep-abomination","status":"publish","type":"post","link":"https:\/\/nicheblog.top\/worldpostone\/2025\/06\/23\/listen-to-hamdis-filthy-new-ep-abomination\/","title":{"rendered":"Listen to Hamdi&#039;s Filthy New EP, &quot;Abomination&quot;"},"content":{"rendered":"<p> <br \/>\n<br \/><img decoding=\"async\" src=\"https:\/\/edm.com\/.image\/c_fit%2Ch_800%2Cw_1200\/MTk4MjIzMTUzMzIxNzQ4MDE0\/landbear_dsc00733.jpg\" \/><\/p>\n<p>Electronic music in 2025 can often feel too glossy and over-produced, which makes <a href=\"https:\/\/edm.com\/tag\/hamdi\">Hamdi<\/a>&#8216;s deliberate ugliness on his new EP, <em>Abomination<\/em>, feel like necessary surgery.<\/p>\n<p>Released independently, the project finds the <a href=\"https:\/\/edm.com\/news\/class-of-2024-revealed\">EDM.com Class of 2024<\/a> artist producing a collection of five monstrosities that refuse the desperate gleam of today&#8217;s festival circuit. Hamdi kicks the door down with &#8220;Lamp,&#8221; opening the EP with his signature dubstep wobbles alongside Visages, the esteemed producer on Alix Perez&#8217;s 1985 Music.<\/p>\n<p>Then comes <em>Abomination<\/em>&#8216;s titular track, which throws caution to the wind with its filthy drops. The same can be said of the ensuing &#8220;Orchid,&#8221; a collaboration with LYNY where the trap phenom runs roughshod through an arrangement bursting with his signature squelching bass.<\/p>\n<p>The EP follows with &#8220;Ride Up to the Door,&#8221; a rave banger that commands footwork through its frenetic four-on-the-floor rhythm. Hamdi then switches gears with &#8220;Move On,&#8221; closing the EP with a stunning liquid UK garage track.<\/p>\n<p>You can listen to <em>Abomination<\/em> below.<\/p>\n<h2>Follow Hamdi: <\/h2>\n<p><strong>X: <\/strong><a href=\"https:\/\/x.com\/hamdimusic\">x.com\/hamdimusic<\/a><br \/><strong>Instagram: <\/strong><a href=\"https:\/\/www.instagram.com\/hamdimusic\/\">instagram.com\/hamdimusic<\/a><br \/><strong>TikTok: <\/strong><a href=\"https:\/\/www.tiktok.com\/@hamdimusic?_t=8a7XxXEUpkh&amp;_r=1\">tiktok.com\/@hamdimusic<\/a><br \/><strong>Spotify: <\/strong><a href=\"https:\/\/open.spotify.com\/artist\/7vvicoei9BbKpZix8qSeLg?autoplay=true\">tinyurl.com\/yc3s7ma2<\/a><\/p>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><script async src=\"\/\/www.tiktok.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/edm.com\/music-releases\/hamdi-abomination-ep\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Electronic music in 2025 can often feel too glossy and over-produced, which makes Hamdi&#8216;s deliberate ugliness on his new EP, Abomination, feel like necessary surgery. Released independently, the project finds the EDM.com Class of 2024 artist producing a collection of five monstrosities that refuse the desperate gleam of today&#8217;s festival circuit. Hamdi kicks the door [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2727,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-2726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-electronic"],"_links":{"self":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/2726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/comments?post=2726"}],"version-history":[{"count":0,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/2726\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media\/2727"}],"wp:attachment":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media?parent=2726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/categories?post=2726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/tags?post=2726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}