{"id":4233,"date":"2025-09-22T16:58:36","date_gmt":"2025-09-22T16:58:36","guid":{"rendered":"https:\/\/nicheblog.top\/worldpostone\/2025\/09\/22\/paradise-losts-gregor-mackintosh-explains-why-ascension-took-so-long\/"},"modified":"2025-09-22T16:58:36","modified_gmt":"2025-09-22T16:58:36","slug":"paradise-losts-gregor-mackintosh-explains-why-ascension-took-so-long","status":"publish","type":"post","link":"https:\/\/nicheblog.top\/worldpostone\/2025\/09\/22\/paradise-losts-gregor-mackintosh-explains-why-ascension-took-so-long\/","title":{"rendered":"PARADISE LOST&#8217;s GREGOR MACKINTOSH Explains Why Ascension Took So Long"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><strong><a href=\"https:\/\/metalinjection.net\/tag\/paradise-lost\">Paradise Lost<\/a><\/strong> has a few good reasons as to why it took five years between <em>Obsidian<\/em> in 2020 and <em>Ascension<\/em> in 2025. According to <strong>Paradise Lost<\/strong> guitarist <strong>Greg Mackintosh<\/strong> in an interview with <em><a href=\"https:\/\/newnoisemagazine.com\/interviews\/interview-paradise-lost-guitarist-gregor-mackintosh-talks-ascension\/\">New Noise Magazine<\/a><\/em>, he had a handful of new material prior to the record that went into the trash: &#8220;I had about six or seven songs, and I just scratched the whole lot because I didn&#8217;t like it. It was the total wrong vibe for me,&#8221; he recalls.<\/p>\n<p>A year later, after completing a tour, he returned to the writing process with a fresh perspective. That break, he says, was essential. &#8220;I think it was the right thing to do, because my outlook had completely changed,&#8221; he said, later added: &#8220;Because we scrapped the whole lot, and then went back to brass tacks, we actually went back in time and thought about the name <strong>Paradise Lost<\/strong> from the book.&#8221;<\/p>\n<p>Part of that shift came from <strong>Paradise Lost<\/strong>&#8216;s decision to re-record their classic Icon album, a project that unexpectedly reshaped how <strong>Mackintosh<\/strong> thought about music. &#8220;I think it was the right thing to do, because my outlook had completely changed,&#8221; said Mackintosh. &#8220;[It] changed my outlook on songwriting a little bit and guitar playing. It took me back to a style that I hadn&#8217;t really thought about in a long time, and I didn&#8217;t realize how much my style had changed over the years.&#8221;<\/p>\n<p>9\/20 Sheffield, UK Bear Tree<br \/>9\/21 Birmingham, UK HMV<br \/>9\/22 Leeds, UK Brudenell Social Club<br \/>9\/24 London, UK Rough Trade East<br \/>10\/9 Manchester, UK New Century Hall<br \/>10\/10 Wolverhampton, UK KK\u2019s Steel Mill<br \/>10\/11 Newcastle Upon Tyne, UK Newcastle University<br \/>10\/12 Glasgow, UK Glasgow Garage<br \/>10\/14 Nottingham, UK Rescue Rooms<br \/>10\/15 Bristol, UK The Electric<br \/>10\/16 Southampton, UK The 1865<br \/>10\/17 London, UK Islington Assembly Hall<br \/>10\/19 Oignies, FR Tyrant Fest 2025<br \/>10\/20 Paris, FR \u00c9lys\u00e9e Montmartre<br \/>10\/21 Lyon, FR La Rayonne<br \/>10\/23 K\u00f6ln, DE Live Music Hall<br \/>10\/24 Esch-sur-Alzette, LU Rockhal<br \/>10\/25 Dornbirn, AT Conrad Sohm<br \/>10\/26 Padova, IT Hall<br \/>10\/28 Munich, DE Backstage Werk<br \/>10\/29 Prague, CZ Pal\u00e1c Akropolis<br \/>10\/30 Zagreb, HR Boogaloo Zagreb<br \/>10\/31 Vienna, AT Simm City<br \/>11\/1 Budapest, HU D\u00fcrer Kert<br \/>11\/3 Geneva, CH PTR\/L\u2019Usine<br \/>11\/4 N\u00fcrnberg, DE Z-Bau Biergarten<br \/>11\/5 Utrecht, NL Pandora<br \/>11\/6 Antwerp, BE Trix Hall<br \/>12\/13 Bradford, UK Bradford Live\n\t\t\t<\/p>\n<\/div>\n<div>\n<div class=\"zox-post-body left zoxrel zox100\">\n\t\t<strong style=\"display: block;margin: 0 auto;max-width: 660px;font-size: 1.625rem;\">Want More Metal? Subscribe To Our Daily Newsletter<\/strong><\/p>\n<p>Enter your information below to get a daily update with all of our headlines and receive The Orchard Metal newsletter.<\/p>\n<\/p><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/news\/paradise-losts-gregor-mackintosh-explains-why-ascension-took-so-long\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paradise Lost has a few good reasons as to why it took five years between Obsidian in 2020 and Ascension in 2025. According to Paradise Lost guitarist Greg Mackintosh in an interview with New Noise Magazine, he had a handful of new material prior to the record that went into the trash: &#8220;I had about [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-4233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-metal"],"_links":{"self":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/4233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/comments?post=4233"}],"version-history":[{"count":0,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/4233\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media\/4234"}],"wp:attachment":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media?parent=4233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/categories?post=4233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/tags?post=4233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}