{"id":5099,"date":"2025-11-20T11:50:38","date_gmt":"2025-11-20T11:50:38","guid":{"rendered":"https:\/\/nicheblog.top\/worldpostone\/2025\/11\/20\/10-classic-rock-metal-albums-that-critics-tore-apart\/"},"modified":"2025-11-20T11:50:38","modified_gmt":"2025-11-20T11:50:38","slug":"10-classic-rock-metal-albums-that-critics-tore-apart","status":"publish","type":"post","link":"https:\/\/nicheblog.top\/worldpostone\/2025\/11\/20\/10-classic-rock-metal-albums-that-critics-tore-apart\/","title":{"rendered":"10 Classic Rock &#038; Metal Albums That Critics Tore Apart"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>The critics always have their golden calves. In the late &#8217;60s and early &#8217;70s, it was <strong>Cream<\/strong>, and bands like <strong>Led Zeppelin<\/strong> and <strong>Black Sabbath<\/strong> (who dared to play a heavier style than blues rock) got thrown to the wolves.<\/p>\n<p><strong>Zeppelin<\/strong> and <strong>Sabbath<\/strong> ultimately stood the test of time, as did these 10 albums which were panned by critics upon release, but became immortal thanks to the greater sensibilities of heavy music fans.<\/p>\n<p>You&#8217;ll notice a recurring theme in this list \u2014 bands getting panned for being too ahead of their time. When <strong><a href=\"https:\/\/metalinjection.net\/tag\/led-zeppelin\">Led Zeppelin<\/a><\/strong> released their 1969 debut album, <em>Rolling Stone<\/em> reviewer <strong>John Mendelsohn<\/strong> wrote that <strong>Jimmy Page<\/strong> wrote &#8220;weak, unimaginative&#8221; songs on the record and that &#8220;the <strong>Zeppelin<\/strong> album suffers from his having both produced it and written most of it.&#8221; He also called <strong>Robert Plant<\/strong> &#8220;foppish as <strong>Rod Stewart<\/strong>, but nowhere near so exciting.&#8221; Imagine being bored by &#8220;Babe I&#8217;m Gonna Leave You,&#8221; &#8220;Communication Breakdown&#8221; and &#8220;Dazed and Confused.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Led Zeppelin - Dazed And Confused (Official Audio)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/w772GXG5LnE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Few publications really got <strong><a href=\"https:\/\/metalinjection.net\/tag\/black-sabbath\">Black Sabbath<\/a><\/strong> when the heavy metal blueprinters dropped their self-titled debut in 1970. <em>Rolling Stone<\/em>&#8216;s <strong>Lester Bangs<\/strong> called <strong>Sabbath<\/strong> &#8220;Just like <strong>Cream<\/strong>! But worse.&#8221; <em>The Village Voice<\/em> critic <strong>Robert Christgau<\/strong> gave the album a C- and noted it as &#8220;the worst of the counterculture on a plastic platter.&#8221; Additionally, a newspaper article from 1970 (exhumed by YouTuber <a href=\"https:\/\/youtu.be\/dl83i25UEnY?si=gjKmjyBup1bjhuRr\"><strong>AudioMover<\/strong><\/a>) branded <strong>Black Sabbath<\/strong> &#8220;obnoxious, boring, superficial, pretentious and too loud.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Black Sabbath - Black Sabbath\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vLC2qwFLbqc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Oh boy did critics hate <strong><a href=\"https:\/\/metalinjection.net\/tag\/ac-dc\">AC\/DC<\/a><\/strong>&#8216;s <em>High Voltage<\/em>. &#8220;Stupidity bothers me,&#8221; <em>Rolling Stone<\/em>&#8216;s <strong>Billy Altman<\/strong> wrote. &#8220;Calculated stupidity offends me.&#8221; Critics didn&#8217;t necessarily ease up in the coming decades either. The <em>Encyclopedia of Popular Music<\/em> gave <em>High Voltage<\/em> only 2\/5 stars, while the <em>Spin Alternative Record Guide<\/em> issued it an identical 4\/10. This is the album with &#8220;It&#8217;s a Long Way to the Top,&#8221; &#8220;The Jack,&#8221; &#8220;Live Wire&#8221; and &#8220;T.N.T.&#8221; The hell were these critics thinking?!<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"The Jack\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/kq_GSIw0X0w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>After grasping Britain&#8217;s attention with their debut album, <strong><a href=\"https:\/\/metalinjection.net\/tag\/iron-maiden\">Iron Maiden<\/a><\/strong> didn&#8217;t receive as much warmth with <em>Killers<\/em>. UK Magazine <em>Even Sounds<\/em> gave killers a brutal 1\/5 stars, calling it &#8220;good, unreliable; more of a failure than a triumph.&#8221; <strong>Robert Christgau<\/strong> also added <strong>Iron Maiden<\/strong> to his &#8220;meltdown&#8221; list, where he disposes of artists &#8220;unworthy of the time it would take to dispatch them.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Murders in the Rue Morgue (2015 Remaster)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/sedQNTpZ7A0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Despite housing some legit classics, <strong><a href=\"https:\/\/metalinjection.net\/tag\/motley-crue\">M\u00f6tley Cr\u00fce<\/a><\/strong>&#8216;s 1983 <em>Shout at the Devil<\/em> got skewered by critics at the time. <em>Rolling Stone<\/em> gave the record a score of 2\/5 and said <strong>Crue<\/strong> &#8220;look meaner than they sound&#8221; while calling the Sunset Strip musicians &#8220;teenybopper antiheroes.&#8221; <em>Robert Christgau<\/em> gave the album a D and and labeled its false braggadocio poor &#8220;even by heavy metal standards.&#8221;\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Shout at the Devil (2021- Remaster)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/djsaJKNpPYo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>A birthing point for death metal, <em>Kerrang!<\/em> somehow gave <strong><a href=\"https:\/\/metalinjection.net\/tag\/death\">Death<\/a><\/strong>&#8216;s <em>Scream Bloody Gore<\/em> 1\/5 stars back in 1987, only to rescind that score and replace it with a perfect 5\/5 in 2011. In the <em>Collector&#8217;s Guide to Heavy Metal<\/em>, the seminal album received a 4\/10 score.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Scream Bloody Gore\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/GvGnCyXf47I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>This album would&#8217;ve been too controversial for mainstream publications to praise, but even the heavy music press shit all over <strong><a href=\"https:\/\/metalinjection.net\/tag\/mayhem\">Mayhem<\/a><\/strong>&#8216;s ultra-violent debut. The <em>Collector&#8217;s Guide to Heavy Metal<\/em> somehow gave <em>De Mysteriis Dom Sathanas<\/em> a ZERO out of 10. C&#8217;mon guys\u2026 at least admit to the greatness of &#8220;Freezing Moon.&#8221; <em>Kerrang! <\/em>only gave <strong>Mayhem<\/strong>&#8216;s first album 3\/5 stars back in 1994, but raised the score to 4\/5 in a 2011 retrospective. \u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Mayhem - Freezing Moon (HQ)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/z8VIhIIq-kk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Oldheads weren&#8217;t ready for <em>Korn<\/em>. D- from the <em>Calgary Herald<\/em>. C- from the <em>Village Voice<\/em>. Only 2\/4 stars from the <em>Los Angeles Times<\/em> \u2014 the biggest paper from <strong><a href=\"https:\/\/metalinjection.net\/tag\/korn\">Korn<\/a><\/strong>&#8216;s home state! The <em>LA Times<\/em> were somewhat kind to <strong>Jonathan Davis<\/strong>&#8216; lyricism, but wrote the music itself had &#8220;no sensible measure of its artistic merit.&#8221; Even in a 2004 retrospective review, <em>Rolling Stone<\/em> gave <em>Korn<\/em> just 2\/5 stars.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Korn - Blind\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/5_hIojjA3A4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><em>Vulgar Display of Power<\/em> and <em>Far Beyond Driven<\/em> are almost impossible to follow, but critics were still too harsh on <strong><a href=\"https:\/\/metalinjection.net\/tag\/pantera\">Pantera<\/a><\/strong>&#8216;s <em>The Great Southern Trendkill<\/em>. With less of a focus on pure brutality, <em>Trendkill<\/em> got reamed by the <em>Los Angeles Times<\/em> and <em>Rolling Stone<\/em>, which gave the album 2\/4 and 2\/5, respectively. <em>Entertainment Weekly<\/em> mustered up a C+ score and said <em>Trendkill<\/em> offered &#8220;little variation&#8221; from <em>Far Beyond Driven<\/em>. The fuck album were they listening to?<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Floods\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/R5pr9lDaEyw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Metalcore was in a semi-shitty stage in 2010, likely contributing to the lukewarm and sometimes extremely harsh reviews <strong><a href=\"https:\/\/metalinjection.net\/tag\/parkway-drive\">Parkway Drive<\/a><\/strong> received with <em>Deep Blue<\/em>. <em>Alter the Press<\/em> gave the album a 2.5\/5, <em>PopMatters<\/em> gave it a stale 6\/10\u2026 but oh boy did <em>PunkNews<\/em> go in on <em>Deep Blue<\/em>. Reviewer <strong>Sloane Daley<\/strong> called <strong>Parkway Drive<\/strong> &#8220;the <strong>Celine Dion<\/strong>s of Australia&#8221; and ended the review with &#8220;your ears deserve better than this.&#8221;\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Parkway Drive - &quot;Unrest&quot;\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MkcabeM6MH8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<\/div>\n<div>\n<div class=\"zox-post-body left zoxrel zox100\">\n\t\t<strong style=\"display: block;margin: 0 auto;max-width: 660px;font-size: 1.625rem;\">Want More Metal? Subscribe To Our Daily Newsletter<\/strong><\/p>\n<p>Enter your information below to get a daily update with all of our headlines and receive The Orchard Metal newsletter.<\/p>\n<\/p><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/627e81c5fee2d202a5df846c.paas-p.smehost.net\/lists\/10-classic-albums-that-critics-tore-apart\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The critics always have their golden calves. In the late &#8217;60s and early &#8217;70s, it was Cream, and bands like Led Zeppelin and Black Sabbath (who dared to play a heavier style than blues rock) got thrown to the wolves. Zeppelin and Sabbath ultimately stood the test of time, as did these 10 albums which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-5099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-metal"],"_links":{"self":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/5099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/comments?post=5099"}],"version-history":[{"count":0,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/5099\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media\/5100"}],"wp:attachment":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media?parent=5099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/categories?post=5099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/tags?post=5099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}