{"id":932,"date":"2025-03-21T10:39:36","date_gmt":"2025-03-21T10:39:36","guid":{"rendered":"https:\/\/nicheblog.top\/worldpostone\/2025\/03\/21\/10-essential-trap-metal-songs\/"},"modified":"2025-03-21T10:39:36","modified_gmt":"2025-03-21T10:39:36","slug":"10-essential-trap-metal-songs","status":"publish","type":"post","link":"https:\/\/nicheblog.top\/worldpostone\/2025\/03\/21\/10-essential-trap-metal-songs\/","title":{"rendered":"10 Essential Trap Metal Songs"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Trap metal is difficult to define, because aggressive hip-hop often doesn&#8217;t often cross into metal territory.\u00a0 The trap metal genre, which grew from the Soundcloud hip-hop underground of the mid-2010s, can be best characterized by the use of heavily distorted 808 drum machine beats, tuned-down guitars, screaming vocals, industrial or n\u00fc-metal soundscapes, hip-hop flows, and lyricism which blends together modern trap with gothic themes.\u00a0<\/p>\n<p>Trap metal grates on the ears like early black metal and distorts traditional hip-hop beats to create uncomfortable levels of over-modulation. It&#8217;s as anti-social as modern hardcore and delves into depraved lyrical hellscapes akin to grindcore or drug-fueled industrial music.<\/p>\n<p>The acts which influenced trap metal are too numerous to count. <strong>City Morgue<\/strong>&#8216;s <strong>ZillaKami<\/strong> has cited <strong><a href=\"https:\/\/metalinjection.net\/tag\/slipknot\">Slipknot<\/a><\/strong>, <strong>DMX<\/strong>, <strong>Radiohead<\/strong> and <strong>Title Fight<\/strong> as major influences, while artists like <strong><a href=\"https:\/\/metalinjection.net\/tag\/ghostemane\">Ghostemane<\/a><\/strong> drew from acts like <strong><a href=\"https:\/\/metalinjection.net\/tag\/bathory\">Bathory<\/a><\/strong>, Outcast, <strong><a href=\"https:\/\/metalinjection.net\/tag\/carcass\">Carcass<\/a><\/strong> and Three 6 Mafia. Like n\u00fc-metal or emo rap, trap metal is a bizarre Frankenstein of contrary art forms, and its result is both subversive and polarizing.\u00a0<\/p>\n<p>Most trap metal fans will agree that the genre&#8217;s golden era was a short one \u2014 roughly from 2016-2019. And as the genre became more publicized and copy-pasted, its raw power began to diminish. However, the genre&#8217;s originators continue to release phenomenal cuts and lead cult-like fan bases, with a new tour featuring <strong>$uicideboy$<\/strong>, <strong>Ghostemane<\/strong> and <strong>City Morgue<\/strong> hitting arenas.<\/p>\n<p>Here&#8217;s a look through some of trap metal&#8217;s greatest and most essential songs.\u00a0<\/p>\n<p>One of the earliest and most influential innovators of trap metal, American rapper <strong>Bones<\/strong> helped send the sub-genre in motion with his 2016 mixtape <em>Useless<\/em>. &#8220;RestInPeace&#8221; starts out with no hint of where its second half will take the listener. Out of nowhere, <strong>Bones<\/strong> goes harsh with his vocals, shredding his throat as an 808 beat drops. Bones continues his aggressive streak with the dreamlike &#8220;GladWeHaveAnUnderstanding,&#8221; which is highly recommended if you dig &#8220;RestInPeace.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Bones - RestInPeace\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ewZZNeYDiLo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>It&#8217;s not a pure trap metal song, but the energy in <strong>Ski Mask the Slump God<\/strong> and <strong>XXXTentacion<\/strong>&#8216;s &#8220;Take a Step Back&#8221; is <em>WILD<\/em>, and it&#8217;s another key component to what would become trap metal. <strong>X<\/strong> pushed distorted beats to their absolute zenith on tracks like &#8220;ImSippinTeaInYoHood&#8221; and &#8220;YuNg BrAtZ,&#8221; but this collab with <strong>Ski Mask<\/strong> led to one of the most insane performances in the history of the Rolling Loud festival.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Take A Step Back\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/PbiWPUxGygs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>When the history books are written, &#8220;HEART ATTACK&#8221; by British rapper <strong>Scarlxrd<\/strong> will likely be enshrined as the first, and perhaps greatest, pure trap metal song. This shit is absolute creative brilliance and insanity, from its unsettling intro sample to <strong>Scarlxrd<\/strong>&#8216;s piercing screams and rapid-fire bars. <strong>Scar<\/strong> even helped define the trap metal aesthetic, both with his clothing and how the &#8220;HEART ATTACK&#8221; music video was shot. This is the genre&#8217;s founding moment.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"scarlxrd - HEART ATTACK [Prod. JVCXB]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OC7cNS0GINo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>One of trap metal&#8217;s purely gothic pioneers, <strong><a href=\"https:\/\/metalinjection.net\/tag\/ghostemane\">Ghostemane<\/a><\/strong> defined his sound with tracks like &#8220;Mercury: Retrograde.&#8221; The massively popular cut seamlessly switches between Southern-influenced trap and vicious screaming, brought to life thanks to <strong>Ghostemane<\/strong>&#8216;s black metal influences. <strong>Ghostemane<\/strong> has also brought down-tuned metal guitars into tracks like &#8220;AI&#8221; and &#8220;LAZARETTO.&#8221;<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"GHOSTEMANE - Mercury\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/31j4DIpgY9U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>If trap music had a bastard love child with the <em>DOOM 2016<\/em> soundtrack, it&#8217;d be <strong>ITSOKTOCRY<\/strong>&#8216;s &#8220;I&#8217;ve Seen Satan, He Has Dreadlocks.&#8221; Though it&#8217;s one of the more slept on trap metal bangers, it&#8217;s one of the heaviest and most guitar-based tracks within the genre, especially for 2017. This cut is a pivotal moment when metal began to blatantly assert its influence into underground trap.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"ITSOKTOCRY - I&#039;ve Seen Satan, He Has Dreadlocks\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/o80n9oK3xnI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>This shit is rawwwww. It&#8217;s like the Patient Zero of trap metal, combining the basic elements of the still-burgeoning genre into a track that&#8217;ll open the pit every time. Beginning with a creepy guitar intro, distorted vocals and horror-movie samples, &#8220;SLITYAWRIST&#8221; doesn&#8217;t let up once the first verse drops. It&#8217;s pure aggression for just over a minute and then it dips. This is what the replay button was built for.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Cameronazi ft. $ubjectz - SLITYAWRIST (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ogVS1zsxR1k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>Killstation<\/strong>&#8216;s trap metal career was short-lived, but the artist&#8217;s discography is one of the most well-produced and consistent in the genre&#8217;s history. <strong>Killstation<\/strong> ran the trap genre gamut with a diversity of styles, but &#8220;Claustrophobia&#8221; may be his grimiest offering. The abyss of a soundscape creates a nightmare bound in hushed gutturals. Make sure to bump &#8220;Filth&#8221; too if you&#8217;re interested in going down the <strong>Killstation<\/strong> rabbit hole.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"Claustrophobia\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/qRkq9NRCtIY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p>Pound-for-pound, <strong>City Morgue<\/strong> (aka <strong>ZillaKami x SosMula<\/strong>) is arguably the greatest trap metal act. Where other acts merely dabble in trap metal, <strong>City Morgue<\/strong> trafficks almost exclusively in the genre. With three albums released and another on the way, <strong>City Morgue<\/strong>&#8216;s collection of bangers is unrivaled. &#8220;SHINNERS13&#8243;\u2026 &#8220;NECK BRACE&#8221;\u2026 &#8220;Caligula&#8221;\u2026 &#8220;THE ELECTRIC EXPERIENCE&#8221;\u2026 &#8220;33rd Blakk Glass&#8221;\u2026 all phenomenal. Binge the whole discography <em>NOW<\/em>.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"ZillaKami x SosMula - 33rd Blakk Glass (AUDIO)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/FkP3PmrNcJY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>$uicideboy$<\/strong> have long lurked in the darkest corners of hip-hop, creating a unique blend of horrorcore and southern rap that&#8217;s balanced as perfectly as an Olympic gymnast. They&#8217;ve crossed into the trap metal realm more than a few times, most blatantly on &#8220;DON&#8217;T TRUST ANYONE!&#8221; from their collab with <strong><a href=\"https:\/\/metalinjection.net\/tag\/travis-barker\">Travis Barker<\/a><\/strong>, <em>LIVE FAST DIE WHENEVER<\/em>. Don&#8217;t sleep on &#8220;Nightmare Choir (I Been Asleep Too Long)&#8221; either. \u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"DON&#039;T TRUST ANYONE!\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/5-06BVABkkk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p><strong>Tokyo&#8217;s Revenge<\/strong> and <strong>Jasiah<\/strong> are both more than worthy of an inclusion on this list, and &#8220;Body Count&#8221; is a collab that calls back to the days of <strong>XXX<\/strong> and <strong>Ski Mask<\/strong> while also planting a flag into the modern age. &#8220;Body Count&#8221; is a speedball of trap metal \u2014 chill while aggressive as fuck, and unbelievably addictive. Turn up for this one.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<p>\n<iframe loading=\"lazy\" title=\"TOKYO&#039;S REVENGE FT. JASIAH - BODY COUNT\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WhsBg90XZec?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<\/div>\n<div>\n<div class=\"zox-post-body left zoxrel zox100\">\n\t\t<strong style=\"display: block;margin: 0 auto;max-width: 660px;font-size: 1.625rem;\">Want More Metal? Subscribe To Our Daily Newsletter<\/strong><\/p>\n<p>Enter your information below to get a daily update with all of our headlines and receive The Orchard Metal newsletter.<\/p>\n<\/p><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/metalinjection.net\/lists\/10-essential-trap-metal-songs\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trap metal is difficult to define, because aggressive hip-hop often doesn&#8217;t often cross into metal territory.\u00a0 The trap metal genre, which grew from the Soundcloud hip-hop underground of the mid-2010s, can be best characterized by the use of heavily distorted 808 drum machine beats, tuned-down guitars, screaming vocals, industrial or n\u00fc-metal soundscapes, hip-hop flows, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-metal"],"_links":{"self":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/comments?post=932"}],"version-history":[{"count":0,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/posts\/932\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media\/933"}],"wp:attachment":[{"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/media?parent=932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/categories?post=932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicheblog.top\/worldpostone\/wp-json\/wp\/v2\/tags?post=932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}